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Notes or a memorised script?
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All Flashcards in Topic 5.3
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5.3.110 cards
Notes or a memorised script?
Notes — a script sounds flat and derails if you lose your place.
Why signpost as you speak?
So the examiner can follow your structure — it shows control.
What phrasing sounds analytical?
‘This suggests’, ‘the effect is’, ‘the writer's choice here…’.
How fast should you speak?
A steady pace — don't rush; use short pauses for weight.
What should your notes contain?
Brief bullet points and key quotations, not full sentences.
Which criteria does delivery support?
D (language) and C (organisation).
The risk of reading notes in a monotone?
It hides your analysis — deliver with pace and signposting.
What are you demonstrating in the IO?
Thinking through an argument, not performing a monologue.
A short pause before a key point…
Gives it weight and control.
Delivery in one line?
Notes, steady pace, signposting, analytical phrasing — think aloud.
5.3.210 cards
What are the examiner's questions FOR?
To let you extend, defend or complicate your analysis — go deeper.
Is the discussion marked separately?
No — under the same criteria (A–D) as the prepared oral.
The worst way to answer?
Ignoring the question and repeating your prepared oral.
First step when answering?
Listen — answer the ACTUAL question, not the one you'd prefer.
How should you answer?
Directly, then develop it with evidence from the works.
What should every answer stay grounded in?
The texts — support with evidence, not vague opinion.
How long is the discussion?
About five minutes.
A question about an unprepared aspect?
Attempt a thoughtful, text-based answer — don't evade.
What can a good discussion do to your marks?
Lift them — thoughtful answers develop your analysis.
The discussion in one line?
Listen, answer directly, develop with evidence — go deeper.
5.3.310 cards
The grade-7 IO shape?
Issue + line of inquiry → close woven analysis of two extracts → widen → conclude.
What does the opening do?
Names the global issue and states the line of inquiry.
How are the extracts analysed?
Closely, and woven — crossing between the works.
What is the ‘widening’?
Showing how each WHOLE work treats the issue beyond the extract.
What lifts an IO to grade 7?
A sharp line of inquiry, woven analysis, and a conclusion that reveals something.
Memorise wording or moves?
Moves — your works are your own.
In this exemplar, war is presented as…
A story sold to the young — the poster writes it, the poem exposes its silence.
The conclusion's payoff here?
The story is authored by those who won't have to die inside it.
Which criteria does the exemplar hit?
All four IO criteria: A, B, C, D.
Two separate talks vs grade 7?
Grade 7 weaves both works around one line of inquiry.
5.3.410 cards
Why isn't silent reading enough?
It builds no spoken fluency, timing or control.
How should you rehearse?
Out loud, from notes, with a timer, several times.
Should you rehearse the discussion?
Yes — have someone ask likely follow-up questions.
Why time every run?
To land near ten minutes with a conclusion.
What happens with each rehearsal run?
It gets tighter, smoother, and more fluent.
Notes or a memorised script for rehearsal?
Notes — a word-for-word script is flat and fragile.
Which criteria does rehearsal improve?
All four — structure (C), language (D), and confident analysis (A, B).
Why is the IO especially worth rehearsing?
It's the one assessment you can fully practise in advance.
The commonest weak preparation?
Reading notes silently instead of rehearsing aloud.
Rehearsing the IO in one line?
Aloud, from notes, to time, repeated — plus discussion practice.
Topic 5.3 study notes
Full notes & explanations for Delivering & practising
English A Lang & Lit exam skills
Paper structures, command terms & tips
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