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NotesPhilosophy HLTopic 2.1Art as imitation, expression or creation
Back to Philosophy HL Topics
2.1.33 min read

Art as imitation, expression or creation (Philosophy HL)

IB Philosophy · Unit 2

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Contents

  1. 1Three things art might be doing
  2. 2Plato — art imitates, and that's a problem
  3. 3The Romantics — art expresses feeling
The big idea: Look at a portrait. Is it copying a face? Pouring out the painter's feeling? Or making something that never existed before?

Those are three whole theories of what art is for, and each has a champion. Keep this trio as your map for the micro: art as imitation, art as expression, and art as creation.

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Start with the oldest and most suspicious answer.

Plato: art is a copy of a copy: Plato said art is imitation (mimesis): a painting of a bed copies a real bed, which itself only copies the perfect 'idea' of a bed. So art is a copy of a copy — two steps from truth.

Why Plato was **suspicious** of art

  • It imitates reality without understanding it.
  • Worse, he thought, it stirs the emotions.
  • It can make lies look beautiful, so it can mislead us.
Checkpoint — Plato: In one line: art imitates reality, so for Plato it's a copy of a copy — suspect, and possibly misleading. Hold that — the next view flips imitation into something far warmer.

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Centuries later a movement turned the whole question inward.

The Romantic view: art EXPRESSES the artist: The Romantic view says art isn't about copying the outside world at all — it's about expressing what the artist feels inside. Leo Tolstoy put it sharply: art is the transmission of feeling.

Tolstoy: how a feeling travels

1

The artist feels

The artist feels something real.

2

Puts it into a form

Paint, music or words hold the feeling.

3

The audience catches it

The audience catches that same feeling.

Good art, for Tolstoy, successfully passes a real feeling from one heart to many.

Go further — higher-level insight: Spot the third option hiding between the two. If art isn't copying the world (Plato) and isn't only pouring out private feeling (Romantics), maybe it's creation — bringing something genuinely new into being, a form that didn't exist before. Naming creation as a rival to both imitation and expression is a top-band move.
Creation in action: A great symphony copies nothing and isn't just the composer's diary. It's a new thing in the world.
Checkpoint — expression and creation: In one line: art may copy the world (imitation), pour out feeling (expression), or make something new (creation) — and most great art does more than one.

IB Exam Questions on Art as imitation, expression or creation

Practice with IB-style questions filtered to Topic 2.1.3. Get instant AI feedback on every answer.

Practice Topic 2.1.3 QuestionsBrowse All Philosophy HL Topics

How Art as imitation, expression or creation Appears in IB Exams

Examiners use specific command terms when asking about this topic. Here's what to expect:

  • Define

    Give the precise meaning of key terms related to Art as imitation, expression or creation.

    AO1
  • Describe

    Give a detailed account of processes or features in Art as imitation, expression or creation.

    AO2
  • Explain

    Give reasons WHY — cause and effect within Art as imitation, expression or creation.

    AO3
  • Evaluate

    Weigh strengths AND limitations of approaches in Art as imitation, expression or creation.

    AO3
  • Discuss

    Present arguments FOR and AGAINST with a balanced conclusion.

    AO3

See the full IB Command Terms guide

Related Philosophy HL Topics

Continue learning with these related topics from the same unit:

2.1.1What is art?2.1.2Creativity2.1.4Art and its message2.1.5Art and its context
View all Philosophy HL topics
Improve your exam techniqueCommand terms, paper structure, and mark-scheme tips for Philosophy HL
Previous2.1.2CreativityNextArt and its message2.1.4

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